Film

Direction: Jocelyne Saab, Jean-Luc Godard, Anne-Marie Miéville

Tickets:

  • DF: German version
  • OV: Original version without subtitles
  • OMU: Original version with German subtitles
  • OMEU: Original version with English subtitles
To the overall program

ALFILM: The Ship of Exile + Here and Elsewhere

343778

Followed by a talk with Rula Shahwan (Film Scholar at Arab American University of Palestine, AAUP) im Studio

The Ship of Exile
by Jocelyne Saab, France, Lebanon 1982, 17', Arabic, French with english subtitles
The dock of a ship on the waters of the Mediterranean becomes a halt of peace for the wandering Palestinian leader in his quest for liberation. After living clandestinely in Beirut, the head of the Palestine Liberation Organization (PLO), Yasser Arafat, was pressured to leave Lebanon for a new exile in Tunis, across Greece. He talks about his destiny, his journey and the future of the PLO. Saab was the only journalist with a camera admitted to accompany him on the boat.

Here and Elsewhere
by Jean-Luc Godard, Anne-Marie Miéville, France 1976, 53', French, Arabic, German, Russian with german subtitles
The massacre of black September 1970 had brought Godard’s film project Jusqu'à la Victoire or Until Victory in support of the Arab cause in Palestine and in collaboration with the Palestine Film Unit to an ultimate end. Four years later, Godard decided to delve into the material he shot during his visits to Palestinian refugees’ camps in Lebanon and Jordan and, with the help of his partner Anne-Marie Miéville, tell a different story. Conceding to the gap between reality and representation, revolutionary ambitions and political practices, Godard and Miéville weave the footage of Palestinian combatants through their struggles elsewhere together with the everyday life of a French family in the here and now. “The whole world is too much for one image,” they assert in a polyvalent essay that relocates the Palestinian question within Europe’s history of violence and reflects on defeat, on the contingencies of narration and the limits of the image.