Film
Direction: João Pedro Rodrigues, João Rui Guerra da Mata
Cinematography: Rui Poças, Lisa Persson
Editing: Mariana Gaivão
Sound And Mix: Nuno Carvalho
Music: Séverine Ballon
Songs: Isabel Ruth
Research: Rita Gomes Ferrão
Producers: João Gusmão; Fred Bellaïche, João Matos, Vincent Wang, João Pedro Rodrigues
Production Companies: Terratreme Filmes, House On Fire, Filmes Fantasma
Cast: Isabel Ruth
Portugal, France 2022, 88', Portuguese with english subtitles, DCP, Colour/B&W
World Premiere: Locarno Film Festival
Cinema Release: Autumn 2023
External content: (Youtube, Vimeo, Google Maps, SoundCloud, Shopify)
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Onde fica esta rua? (Where is the Street?)
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"From our window, one can see a set of the film Os Verdes Anos, directed by Paulo Rocha in 1963. This was our starting point: guided by Rocha’s gaze, we look back at the places of that film. The successive geological, urban and social strata of Lisbon, besieged by the pandemic that interrupted the shooting, are drawn out in front of our camera, like a contemporary jazz improvisation from a score written in 1963." João Pedro Rodrigues, João Rui Guerra da Mata
Ten years after The Last Time I Saw Macao (2012), João Pedro Rodrigues and João Rui Guerra da Mata return with a new feature film. Onde Fica Esta Rua? ou Sem Antes Nem Depois (Where Is This Street? or With No Before And After) is a film in which experimentation, understood as a never tame interrogation of the world through cinematic images, reigns supreme. The drift from tableaux vivants or still life is averted thanks to the movements of the camera, between panoramas and frame adjustments. The two directors manage to represent Lisbon as rarely seen on the big screen. The city shows itself as a gigantic house of ghosts, of invisible creatures, full of uninhabited places, in which the camera advances, in a tireless architectural exploration that through sound and music garners emotion. Human presence makes up one part of many of the urban landscapes, and it is limited to a few actions, which often result in the grotesque or even in the pure comic, like glitches in the matrix: for example, men who can’t open doors because they don’t want to touch the handle for fear of Covid. The only person who is not elusive or irrelevant is Isabel Ruth, the star of Os Verdes Anos (The Green Years, 1963) by Paulo Rocha, to whom this film pays tribute, in an attempt (successful because it’s poetic) to retrace the places of that classic of Portuguese cinema, including the street overlooking the window of the house of a building built by Rodrigues' grandfather in 1960.