Darse Cuenta
by Jessica Sarah Rinland, 2008, 3'
An unidentifiable image appears and disappears in the middle of a road.

Sol de Campinas
by Jessica Sarah Rinland, 2021, 27'
Sol de Campinas follows archaeologists working over the past decade to excavate a ring of mounds surrounding a central plaza in what is now Acre, Brazil. Moving between field and laboratory, they interpret how this land was constructed, examining settlement patterns and the composition of anthropogenic soil that endures today.

Rafael en Rio
by Narcisa Hirsch, c. 1970s, 4'
Hirsch speaks a love letter to Rafael Maina as he lays on a secluded beach in Rio de Janairo, capturing an intimate encounter between body, landscape, and camera.

Rafael
by Narcisa Hirsch, 1975, 10'
A quiet, enigmatic study of a young man named Rafael. Through stillness, duration, and subtle shifts in presence, Hirsch constructs a portrait that resists narrative, focusing instead on perception, time, and the act of looking.

Querida Chick
by Jessica Sarah Rinland, 2021, 7'
A film-letter to Chick Strand.

Seguro que Bach cerraba la puerta cuando quería trabajar (Bach Probably Closed the Door When He Wanted to Work)
by Narcisa Hirsch, Argentina 1979, 27'
"'The faces of the other women, my friends, are so familiar. They are all mine. My face on the other hand, is less familiar.’ Narcisa Hirsch films her friends’ faces, including her own. Later, she records their voices as they respond to their own image, as well as her voice reacting to hers. Narcisa repeats this exercise often as she ages, each time reflecting on how she, as a woman is learning to ‘look at herself from the outside’." (Jessica Sarah Rinland)